Coming Soon
My Fathers Shadow, follows two young brothers as they explore Lagos with their estranged father (Sope Dirisu) during the 1993 Nigerian election crisis, witnessing both the city’s magnitude and their father’s daily struggles as political unrest threatens their journey home. Written and directed by Akinola Davies Jnr.
The Lost Children of Tuam follows historian Catherine Corless (Monica Dolan) as her research into a former mother-and-baby home in Tuam, Ireland, uncovers the devastating truth that hundreds of children may have been buried in unmarked graves. The film, sensitively directed by Frank Berry, is based on a New York Times article and has been praised as a profoundly moving work that honours victims and survivors while confronting a painful chapter in Irish history.
If you are a survivor or family member of the Mother & Baby Homes and in need of support please visit the HSE website: https://www2.hse.ie/mental-health/services-support/ncs/
Directed by Ariane Labed and adapted from Daisy Johnson’s acclaimed novel, September Says is a striking, unsettling drama about two inseparable sisters – protective September (Pascale Kann) and inquisitive July (Mia Tharia)- whose intense bond fractures in surreal ways when a school suspension sends them into isolation.
Yorgos Lanthimos’s audacious Kinds of Kindness is a triphych fable: following a man without choice (Jesse Plemons) who tries to take control of his own life; a policeman (Jesse Plemons) who is alarmed that his wife (Emma Stone) who was missing-at-sea has returned and seems a different person; and a woman (Emma Stone) determined to find a specific someone with a special ability, who is destined to become a prodigious spiritual leader.
From acclaimed filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter (Emma Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (William Dafoe). Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.
Sebastián Lelio’s The Wonder is a haunting psychological thriller, adapted from Emma Donoghue’s novel and inspired by the 19th-century phenomenon of the “fasting girls,” in which an English nurse (Florence Pugh) investigates a young girl whose apparent miracle draws pilgrims and suspicion to a remote Irish village.
Yorgos Lanthimos’s lavish, darkly comic drama The Favourite unfolds in early 18th‑century England, where frail Queen Anne (Olivia Colman) depends on her cunning adviser Lady Sarah (Rachel Weisz). That is until a new servant Abigail (Emma Stone) catches the Queen’s eye and ignites an outrageous rivalry for her favour.
Stephen Williams’ Chevalier is a radical, captivating drama about the meteoric rise of Joseph Bologne (Kelvin Harrison Jr.), a Black virtuoso composer and fencer whose talent wins him favour at the French court – and whose refusal to conform ultimately sets him on a collision course with Marie Antoinette (Lucy Boynton) and her world.
Directed by Phyllida Lloyd and written by Clare Dunne, Herself is a emotive, self-empowering drama about a young mother (Clare Dunne) who, with no safety net left, sets out to build a home for her two daughters from scratch.
Sean Durkin’s piercing, intimate drama The Nest follows ambitious entrepreneur Rory (Jude Law), who relocates his wife Allison (Carrie Coon) and their children from suburban America to a crumbling English mansion, where the hollow dream of 1980s London riches strips their marriage bare and forces them to confront the truths they can no longer outrun.
Directed by John Michael McDonagh, The Guard is an eccentric and brilliantly dark comedy about Sergeant Gerry Boyle (Brendan Gleeson), a small-town Irish cop with a confrontational personality, a subversive sense of humour, a dying mother, a fondness for prostitutes, and absolutely no interest whatsoever in the international cocaine-smuggling ring that has brought FBI agent Wendell Everett (Don Cheadle) to his door.
Coming Soon
My Fathers Shadow, follows two young brothers as they explore Lagos with their estranged father (Sope Dirisu) during the 1993 Nigerian election crisis, witnessing both the city’s magnitude and their father’s daily struggles as political unrest threatens their journey home. Written and directed by Akinola Davies Jnr.
The Lost Children of Tuam follows historian Catherine Corless (Monica Dolan) as her research into a former mother-and-baby home in Tuam, Ireland, uncovers the devastating truth that hundreds of children may have been buried in unmarked graves. The film, sensitively directed by Frank Berry, is based on a New York Times article and has been praised as a profoundly moving work that honours victims and survivors while confronting a painful chapter in Irish history.
If you are a survivor or family member of the Mother & Baby Homes and in need of support please visit the HSE website: https://www2.hse.ie/mental-health/services-support/ncs/
Directed by Ariane Labed and adapted from Daisy Johnson’s acclaimed novel, September Says is a striking, unsettling drama about two inseparable sisters – protective September (Pascale Kann) and inquisitive July (Mia Tharia)- whose intense bond fractures in surreal ways when a school suspension sends them into isolation.
Yorgos Lanthimos’s audacious Kinds of Kindness is a triphych fable: following a man without choice (Jesse Plemons) who tries to take control of his own life; a policeman (Jesse Plemons) who is alarmed that his wife (Emma Stone) who was missing-at-sea has returned and seems a different person; and a woman (Emma Stone) determined to find a specific someone with a special ability, who is destined to become a prodigious spiritual leader.
From acclaimed filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter (Emma Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (William Dafoe). Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.
Sebastián Lelio’s The Wonder is a haunting psychological thriller, adapted from Emma Donoghue’s novel and inspired by the 19th-century phenomenon of the “fasting girls,” in which an English nurse (Florence Pugh) investigates a young girl whose apparent miracle draws pilgrims and suspicion to a remote Irish village.
Yorgos Lanthimos’s lavish, darkly comic drama The Favourite unfolds in early 18th‑century England, where frail Queen Anne (Olivia Colman) depends on her cunning adviser Lady Sarah (Rachel Weisz). That is until a new servant Abigail (Emma Stone) catches the Queen’s eye and ignites an outrageous rivalry for her favour.
Stephen Williams’ Chevalier is a radical, captivating drama about the meteoric rise of Joseph Bologne (Kelvin Harrison Jr.), a Black virtuoso composer and fencer whose talent wins him favour at the French court – and whose refusal to conform ultimately sets him on a collision course with Marie Antoinette (Lucy Boynton) and her world.
Sean Durkin’s piercing, intimate drama The Nest follows ambitious entrepreneur Rory (Jude Law), who relocates his wife Allison (Carrie Coon) and their children from suburban America to a crumbling English mansion, where the hollow dream of 1980s London riches strips their marriage bare and forces them to confront the truths they can no longer outrun.
Directed by John Michael McDonagh, The Guard is an eccentric and brilliantly dark comedy about Sergeant Gerry Boyle (Brendan Gleeson), a small-town Irish cop with a confrontational personality, a subversive sense of humour, a dying mother, a fondness for prostitutes, and absolutely no interest whatsoever in the international cocaine-smuggling ring that has brought FBI agent Wendell Everett (Don Cheadle) to his door.